EVERGREEN CINEMA LUT

Push the boundaries of your post production creativity with my NEW Evergreen Cinema LUT. Contains a 65x and 33x version LUT for Sony LOG & Rec. 709 footage. This along with my other LUTs (which are available in Cinema LUT Pack 1) create the backbone to what makes my social media content its filmic and authentic look that I'm known for.

WHAT INCLUDED:

• 1 Evergreen Cinema LUT for Slog-3 footage (33x & 65x versions)
• 1 Evergreen Cinema LUT for Rec. 709 footage (33x & 65x versions)
• LUT installation guide video for DaVinci Resolve

My LUTs are built to be as versatile as possible, allowing you to apply them to almost any shooting environment or lighting condition while still giving you creative freedom to elevate the look in your own way.

DISCLAIMER: I would like to note that LUTs do NOT fix bad footage. For LUTs to function as designed you must know how to properly expose your shots. This means having a good understanding with using your camera, exposure tools, white balance, composition, etc.. This is why I recommend watching some YouTube videos on those subjects first before investing in something like LUTs. Ive included a 7 paged doc that goes over all of that in my "Cinema LUT Pack 1" if you're interested in learning more.

WHAT CAMERA FOOTAGE WORKS WITH MY LUTS?:

Technically speaking, my Slog-3 version LUTs will work for almost any camera that can shoot in a LOG picture profile. This includes some cameras from Sony, Canon, DJI, Blackmagic, and Fujifilm. However, these are optimized for Sony Slog-3 S.Gamut3.Cine picture profile.

• Sony: This is Slog-2 & Slog-3 (although you will need to make slight contrast adjustments when applying to Slog-2 footage).
• Canon: This is C-log picture profile.
• DJI: Some DJI drones (like the Maveric series) can shoot in LOG format. This is called D-log.
• Fujifilm: This is F-log picture profile.

The Rec. 709 version LUTs are to be used on any footage shot in a NON-LOG profile. Some of these include movie, still, and S-cinetone. You will get the best result when using a camera that can shoot at least 10-bit color depth (if you don't know what this is then your camera probably shoots 8-bit). For 8-bit footage, depending on the exposure, you may have to adjust the contrast and/or saturation a bit.

WHAT ARE 33x and 65x VERSIONS?:

The main difference is the quality of LUT interpolation. So, 65x will give you the best result and I recommend using this version for all grading purposes. The 33x version is used as a "reference LUT" for your camera or external monitor. Depending on the camera you have (sony fx30 and fx3 can do this), some allow you to upload LUTs onto the camera so you can see what the image will look like with the LUT applied while on set.

If you have any questions before/after purchasing, feel free to contact me via email or IG message.